Production and Puppet Design.  Written by Scott Adkins, with music by Alaina Ferris.  Directed by Mia Rovegno.  With KatieRose MacLaughlin, Andrew Sheron, Johnny Gasper, Jean Grant.  Video from NACL workshop.  Produced in conjunction with St Ann's Puppetlab. 

Directed by Craig Latrell. Puppetry by Sara C Walsh. Lights by Derek VanHeel. Set Design by Jeff Larson.

By Monet Hurst-Mendoza. At the Women’s Project (WP) Pipeline Festival. Directed by Sarah Krohn. Produced by Kristen Luciani. Lights by Barbara Samuels. Costume design is by Siena Zoe Allen.

A University of Washington School of Drama production starring the MFA Class of 2026. Directed by Nick O’Leary. Set Design by Duma Du. Lighting by Peter Maradudin. Sound by Alex Parr. Costumes by Xiaoyan Yu.

In this community center rendition of Brecht’s Chalk Circle, the community members have forgotten a most important prop: Michael (the child). We watch an actor make a quick choice, and balling up the “Community” sign on the table, creates a makeshift bundle of joy. Over the course of the first half of the play Michael is held and handled, bounced and cooed to. During intermission we watch “Michael” get straightened out and folded, re-revealing the Community sign, and as the second half of the show begins, where he has now grown to an age he can skip off on his own, the folded Michael unbends and rises to show us a new and fully mobile boy, who holds hands and rides on shoulders. When he turns his back to us in the courtroom we can see, he is still made of the “Community” .